Page 28 - College Planning & Management, April 2017

LOOKING BACK, MOVING FORWARD
Duke University
Say Duke University, and you instantly think of the late 1920s Collegiate Gothic Quad, designed by Horace Trumbauer, Julian F. Abele and the Olmstead Brothers. The Durham, NC-based school has grown quite a bit since then, radiating out from the historic quad, but never forgets its core. When working on a new structure, Greg Warwick, AIA, coordinating architect, Duke University, looks for “unity but not uniformity,” in the design.
Location matters when choosing building materials. New struc- tures on or near the historic quad must use “Duke Stone” on their façades to achieve that unity. However, the architect is free to explore other modern yet appropriate materials for the building’s sides and back. ZGF Architects LLP did just that when designing the Center for Interdisciplinary Engineering, Medicine and Applied Sciences in 2004.
Forms and structures get more contemporary as they move away from the central quad. “We don’t want to be seen as stuck in 1930,” explains Warwick. Yet he does not advocate modernity just for the sake of it. “There may not be much contextual inhibition a half mile from the quad, but it still has to look like a Duke building,” he says. Warwick remains a staunch advocate for variety but he doesn’t want something, “so unique that you don’t know where you are.”
Warwick is not a fan of using traditional materials in untra- ditional ways. He points to several projects from the 1960s to the 1980s that experimented with Duke Stone — using it in a large panel or turning it on its side — and calls them unsuccessful. “It just doesn’t look right,” he says. In fact, the demand for classi- cally used Duke Stone remains so strong that a cottage industry of expert masons has sprung up in the surrounding region.
Warwick spends much if his time maintaining, repairing and
restoring historic buildings. Admittedly, it’s a challenge. “I walked around campus all summer looking at doors, trying to pick the right stain. They’re all different,” he laments. Warwick is also chal- lenged by the many steel windows on the quad. Not well insulated and sustainability-challenged, the windows nevertheless persist. “They would never be replaced,” Warwick insists. “We repair them and put more insulation elsewhere.”
College of Charleston
When first considering the design of the Marlene and Nathan Addlestone Library, College of Charleston President Alex “Judge” Sanders had a very specific vision in mind. After all, the South Car- olina-based school, founded in the 1770s, drips with history. There are venerable rows of live oak trees draped with Spanish moss and several buildings with National Historic Landmark designations. Dr. Sanders wanted the library to mirror one of those structures. “He said ‘I want the library to look exactly like Randolph Hall,’” recalls William McCuen, director of design, KAI Design & Build.
Of course, constructing a three-story, 140,000-square-foot, contemporary library to look like one of the oldest college buildings still in use in the U.S. just was not financially feasible or aesthetically correct. Winning over the college president and the many, many im- passioned stakeholders proved a challenge. “The City of Charleston is the most controlled environment I’ve ever seen and I was on the National Capital Planning Commission,” McCuen insists.
McCuen eventually convinced the community that a poor- quality counterfeit would insult rather than complement the city’s rich history. He still drew from local inspiration, however — in this case the similarly massed Fort Sumter and Fort Moultrie — and used a stucco that looks similar to the rough-textured Tabby concrete used throughout the city.
Today the library is both a success story and a trailblazer. Since opening in 2005, the building has been joined by other contem- porary structures, including the Beatty Center School of Business and the 26,000-square-foot dining hall named the Liberty Street Fresh Food Company. CPM
28 COLLEGE PLANNING & MANAGEMENT / APRIL 2017
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PHOTO COURTESY OF THE COLLEGE OF CHARLESTON
PHOTOS © CHRIS HILDRETH/DUKE PHOTOGRAPHY